Reflecting on these three decades, I realise it's a continuous learning curve. There's always more to explore, more techniques to master, and more landscapes to capture. My children, with their teasing about my obsession with clouds, are a reminder of how my passion for art permeates our family life.

With a studio in place, the daunting task of approaching galleries began. My strategy was a blanket one—I reached out to every gallery in the country. A bit naive, admittedly, considering I didn't filter my search based on what they specialised in. Yet, this scattergun approach had its merits; it landed me representation in four galleries: ScotlandArt.com in Glasgow, Northcote Gallery, Roman Black in London, and the prestigious Pontone Gallery.

This exploration was the cornerstone of finding my unique voice—an artist's signature style. It wasn't just about technique; it was about how I saw the world and expressed it through my art. My degree show, a culmination of this period, sold out completely, affirming my path as an artist.